Françoise Mouly Bio | Wiki
Françoise Mouly is a Paris-born American-based designer, editor, and publisher. She is best known as the co-founder, co-editor, and publisher of the comics and graphics magazine Raw from 1980 to 1991. Mouly is the publisher of Raw Books and Toon Books, and since 1993, she is the art editor of The New Yorker.
As editor and publisher, she has had considerable influence on the rise in production values in the English-language comics world since the early 1980s. Mouly has played a role in providing outlets to new and foreign cartoonists, and in promoting comics as a serious art form and as an educational tool. The French government decorated her as a Knight of the Order of Arts and Letters in 2001, and as a Knight of the Legion of Honour in 2011.
Françoise Mouly Age
Mouly was born on October 24, 1955, in Paris, France. She is 66 years old.
Françoise Mouly Height
She is a woman of average stature and stands at a height of 5 ft 5 in (Approx. 1.65 m).
Françoise Mouly Family
She was born and raised in Paris, France by her parents Josée and Roger Mouly. Mouly grew up in the well-to-do 17th arrondissement of Paris alongside her two sisters. Her father was a plastic surgeon who in 1951 developed, with Charles Dufourmentel, the Dufourmentel-Mouly method of breast reduction. The French government made him a Knight of the Legion of Honour. Her family life had grown stressful, and her parents divorced in 1974.
Françoise Mouly Husband | Art Spiegelman
Mouly is married to her husband Art Spiegelman, a cartoonist. The couple celebrated their wedding in 1977. Together, they share two children Nadja Spiegelman and Dashiell Spiegelman and they live in New York, United States. Nadja is also a writer and edited a collection of rejected New Yorker covers called Blown Covers alongside her mother.
Spiegelman is an American cartoonist, editor, and comics advocate. He became known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential.
Françoise Mouly Maus
Maus is a nonfiction book presented in the graphic novel style, written by Mouly’s husband Spiegelman. Serialized from 1980 to 1991, it depicts him interviewing his father about his experiences as a Polish Jew and Holocaust survivor. The work employs postmodernist techniques and represents Jews as mice, Germans as cats, Poles as pigs, Americans as dogs, the British as fish, the French as frogs, the Swedish as reindeer, and the Roma as gypsy moths.
Françoise Mouly New Yorker
Since 1993, she has been serving as the art editor of The New Yorker. Mouly proposed the magazine return to its roots by having artists as featured contributors, an increase in the visuals in the magazine, such as photographs and more illustrations, and covers in the topical style they had had under the magazine’s founder Harold Ross.
Mouly brought a large number of cartoonists and artists to the periodical’s interiors, including Raw contributors such as Coe, Crumb, Lorenzo Mattotti, and Chris Ware. The magazine’s circulation doubled during Mouly’s time there. In 2012, Mouly and her daughter Nadja edited a collection of rejected New Yorker covers called Blown Covers, made up of cover sketches and covers that became deemed too risqué for the magazine.
Some of Mouly’s colleagues at The New Yorker include:
Molly Fischer – staff writer
Liana Finck – cartoonist
Lauren Collins – staff writer
Isaac Chotiner – staff writer
Emily Flake – cartoonist
Liza Donnelly – cartoonist
Jennifer Gonnerman – staff writer
Françoise Molly Raw
Mouly was a publisher of the comics and graphics magazine Raw from 1980 to 1991. In 1978, she founded Raw Books & Graphics, a name settled on in part because of its small-operation feel, and part because it was reminiscent of Mad magazine.
Raw Books started by publishing postcards and prints by artists such as underground cartoonist Bill Griffith and Dutch cartoonist Joost Swarte. The best-known work to run in Raw was a serialization of Spiegelman’s graphic novel Maus, which ran as an insert for the duration of the magazine from the December 1980 second issue.
Françoise Mouly Salary
She serves as the art editor of The New Yorker, therefore, she earns a decent income. Mouly’s average salary is $72,435 per year.
Françoise Mouly Net Worth
She earns her wealth from her career, therefore, she has amassed a fortune over the years. Mouly’s estimated net worth is $786,890.
Who Is Françoise Mouly
Mouly is a Paris-born American-based designer, editor, and publisher. She became known as the co-founder, co-editor, and publisher of the comics and graphics magazine Raw (1980–1991). Mouly is the publisher of Raw Books and Toon Books, and since 1993, she is the art editor of The New Yorker.